Friday, July 29, 2011

MUSIC - The Rescue


Why a poster from The Rocketeer? That's right... this piece is another one which draws from the style of a film composer that I admire- in this case, James Horner (it also weaves in elements from a certain unfortunately-named but excellent trailer scoring group).

I'm interested in hearing all y'all's thoughts in the comments. There's one thing in particular that I'm not sure that I like about the piece- but I'm not sure that it's necessarily a bad thing either. One of my previewers mentioned it, and my sisters agreed- it's not very consistent in tone. Is that a good thing? Bad thing? Well, I look forward to hearing your answer to that question.

Oh, and I did use a few modes in here- there are touches of Phrygian, and some sweeping passages in Lydian which actually kinda just happened that way. It's really neat being able to recognize it, though- praise God, I'm learning!

Also, I think this piece contains my most sweeping, romantic, Hollywood style big strings theme yet.

So. Here it is.

The Rescue

Saturday, July 16, 2011

MUSIC - Mixolydia


My well-overdue piece of the week is a continuation of my journey through the modes. Much gentler than "Hero", this one is inspired by Desplat's score to "The King's Speech". I wanted it to be polite and relatively dispassionate.

Before I post the piece, I shall post a pondering.

Pieces like this are much less driving and exciting than pieces like Hero. I find it not at all surprising that while Hero has been on YouTube for (roughly- YouTube's estimate) 2 weeks, and Lydia for (same) 3 weeks, Hero has been viewed 110 times, and Lydia 58.

Why?

So having thrown that out for you to think about- and to comment on below ;-) - I shall now without further ado post the link to

Mixolydia

(This is also an excellent opportunity to say- praise God for all the views! The LORD has been bringing more work my way, and I'm quite excited about it. I've been very busy, and hope to continue to be so, so I don't know how consistent my posting will be, but praise God- it is He Who gives power to make wealth. Deuteronomy 8:18)

Monday, July 11, 2011

REVIEW: True Grit

Both of 'em, that is. And pardon if this review isn't as well-organized as would be nice... I'm busy right now- praise God!- and am really just trying to hack through this to get it out there, as I know some have been looking for it.

















I'll get it out there right now. I liked Jeff Bridges' portrayal of Rooster Cogburn better than John Wayne's.

Whew. Glad I got that one off my chest.

This is another one of them thar compare-contrast reviews. I'ma gonna tell ya which one o' these here two pictures (that would be films fer you east-coasters) I liked better, and why I liked (or didn't so much like) either one 'tall.

The Characters

Mattie Ross

The headstrong hero of the film, Mattie is set on avenging her father's death.

Boy does this one give me a lot to ponder in the worldview section, but for now I'm comparing.

I definitely liked Miss Ross the newer, excellently acted by Hailee Steinfeld, over her predecessor.

I have to wonder why they went with the short hair in the old one.

The thing that worries me most about the film- not because I'm downright against it but because I'm not sure whether I'm downright against it- is the fact that Mattie Ross is out for vengeance against the murderer of her father. In the new film she tells her mother that that's what her now deceased father would have wanted. I really appreciated that line. She's trying to honor her father. She also tries to get the law to do its job- she hires a marshal. She's not just out to kill- she's out to see that justice is served. And if the law won't do it, she appears to want to do something reminiscent of the role of the Biblical "avenger of blood". It also appears that if she had had a brother old enough to do it then she would have gladly yielded that role to him. She's not a man, nor does she want to be, and that's a good thing.

She's not exactly principled in some of her dealings with the townspeople as the film starts out- I mean, come on, your father did buy the horses, and just because you have a good lawyer doesn't mean that you should threaten $300 out of someone that doesn't owe you $300. Excuse me, that would be $320.

La Boeuf ("La Beef")

On this character I much prefer Matt Damon's version. Of course, I came into the film already a fan of his acting, so it's no surprise that that would be my conclusion.

He too is a flawed character, but his flaws are pretty obviously flaws. I really enjoyed watching Jason Bourne play somebody with a heart and some quirks.

"Rooster" Cogburn

Now for Mr. Cogburn. He's a drunkard, but this is portrayed as a weakness, if a point for some humor throughout. He's not a moral man- in the new one, he's twice divorced- his language is occasionally colorful and his methods aren't compassionate. "The love of decency does not abide in you," he quotes his former wife. In both films, he definitely has flaws which make him an interesting character. The one that worries me most is the Jack Bauer syndrome- while this probably is rather accurate in a Western story, he has no qualms about using threats, shooting first, or breaking promises to dead men. We have to be careful- just because they have the badge and are the "good guys" doesn't mean that they are above the law.

The Art


The Coen Bros. film was very well done. There were a few parts where I thought the score failed to deliver- it lacked a bit of punch at a few parts that really needed punch. That said, I liked the score overall. The cinematography was very good, though I was hoping for a few more "big sky" shots.

It's a very enjoyable film. The mix of humor and story is very pleasant, and the acting is first class.

The ending music, a rather unattractive rendition of "Leaning on the Everlasting Arms," was a bit disappointing. Love the use of hymnody in the score, but I could have done with a better version of the ending song perhaps...

There's a few parts in the film of very graphic violence which might cause concern, as well as a smattering of cursing- I think the cursing was worse in the old one, but the violence was most definitely more graphic in the new.

Is graphic violence bad? I don't think so inherently, but in case it bugs you behold- you have been warned. :-)

For more detail on non-family-friendly content I'd refer you to the Kids-In-Mind review here.

The John Wayne version is older. It lacks the polish of... newer films. So for a film of its time I think it was very good, but as far as the art goes I like the new one a deal better.

The Worldview

This is a tough one. Right off the bat I'll mention that the newer version of the film had a much stronger flavor of Christianity- from the opening slide with Proverb 28:1 ("The wicked flee when no one is pursuing...") to the hymns woven into the score to Miss Ross' references to Scripture and the free Grace of God.

And this I like.

But anybody can stick a Scripture or two in their film.

Something that I really enjoyed in the John Wayne version that I missed in the newer True Grit was the way that Mr. Cogburn repeatedly referred to Mattie as "Little Sister." While this phrase and variations thereon came up a few times in the new version, I really enjoyed the protective and familial relationship between Wayne's Cogburn and Darby's Ross.

The ending I liked better in the John Wayne version. In the Coen Bros.' film, we actually see Mattie grown up. She says she never had time to "fool around" with marriage, seems a bit bitter, and is overall a disappointing end to a character that I had really become attached to throughout the course of the film.

Some of the other worldview issues I already addressed when speaking of the characters.

Oh, one more- in the 2010 film Mattie *SPOILER* shoots an unarmed Cheney. Now, Cheney was worthy of death Biblically, and who knows how many variables would be going through Miss Ross' mind, but I don't know right off if she was right to do so, instead of turning him over to the magistrates.

Altogether,
I enjoyed the newer version a good deal better, and would recommend it over the version with Mr. Wayne.

True Grit (2010) - 4/5
True Grit (1969) - 3/5

Friday, July 1, 2011

MUSIC - Hero


While Batman is not my ideal for a hero- he doesn't live according to God's Law, nor execute justice according to God's Law- nevertheless, the picture is appropriate since my latest piece draws inspiration from Hans Zimmer and James Newton Howard's score to Batman Begins.

Enjoy, and please share as you feel led- as a young entrepreneur, I really appreciate the promotion.

Hear the piece here.