Theology, culture, music, politics, fitness. And those last four have a lot to do with the first one.
Showing posts with label Film Projects and Videos. Show all posts
Showing posts with label Film Projects and Videos. Show all posts
Wednesday, April 19, 2017
Reposted from my music website:
The filmmaking world is unique for a variety of reasons; the convergence of disciplines, personalities, passions and skills that come together to make a single production is staggering, and the community that such like-minded laboring forges is easily compared to the relationship of a family; the cash flows in torrents, circulating enough green rectangular blood cells through the body of the filmmaking community to support many thousands of professionals and their families; the end product will often be seen by millions of eyes in dozens of countries around the world. With such a huge industry, so much skill, so many relationships, so much money, so much exposure and influence, it becomes quickly obvious why filmmaking makes such a powerful tool for the advancement of the Kingdom of God; inherent in a tool’s power, however, is a corresponding necessity for the careful use thereof.
There are no seven day waiting periods for the purchase of butter knives.
So what are the inherent dangers and temptations facing us as Christian filmmakers? While I cannot claim to list them all, I would like to suggest three powerful lures that would love to displace Christ as the king of our hearts.
The first is money. There is nothing wrong with a desire to make money- to the contrary, we are required to provide for our own, and that implies making money. Furthermore, Scripture says that the laborer is worthy of his wages. It is not “more Christian” to work for free, nor is it somehow wrong to charge a price that makes our work profitable. But the problem arises when we see our professional pursuit primarily as a means to make money, rather than primarily as a means to serve God. We cannot serve both God and money, and in an industry so flush with cash- especially in the secular realm of Hollywood- the lure of riches shimmers bright and golden, and we as believers must remind ourselves of what is truly priceless. (1 Tim. 5:8,18, Luke 16:13)
The second is fame. Your average McDonald’s burger-flipper isn’t interested in making sure that he is known nationwide as the most talented patty artist. But step into the filmmaking community and “who you know” becomes essential to professional success. You need a brand; you need name recognition; you need a social network. And these are simply necessary considerations for a wise businessperson. But it is a very short step from Christ-focused pursuit of professional excellence and self-focused pursuit of fame. A good litmus test for this consideration is whether or not we can rejoice in the success of other believers, especially those who share an identical professional pursuit. If my focus is on Jesus, and if I am considering others more important than myself, then when that other composer gets signed onto the awesome film project, I will be glad for him, praying for him, and excited to see God’s Kingdom go forward. I will also trust Him to provide for my needs in the way that is best for me- even if that means I need to get a job at McDonald’s! After all, if I am seeking first His Kingdom, then it is about His fame and not my own. If, however, my focus is on myself, I will struggle with coveting others’ successes, and I will not be content with the blessings God has given me. (Matt. 6:33, Phil. 2)
The final snare to beware (for this post, at least) is the idol of art. We creatives are generally quite passionate about our respective crafts, and there are few things more satisfying than making a ________ (scene, score, script, etc.) that turns out just right. But as satisfying as that is, it is ultimately empty if it is not subject to our pursuit of Christ. The goal of artistry is not just to create excellent art; it is to create excellent art for the glory of our excellent God. This doesn’t mean cramming a “pray-a-prayer” scene into every script, but it does mean that our definition of good art stems from our pursuit of Christ and our understanding of His leading on our life. It also means that if our artistic pursuit is not what God wants us to do right now, we will not cling stubbornly to our dreams, but will rather follow the leading of our King. If the question changes from “what does Christ want me to do” into “what do I want to do” in our pursuit of artistic excellence, then we have created a golden calf in the shape of our passion, and we have revealed the true attitude of our heart- more passionate about our craft than about our Christ. This can also be diagnosed with a simple question- if Jesus wanted me to quit filmmaking and go work in a gas station, would I be OK with that? (1 Cor. 10:31)
This all boils down to the simple commandment to seek first the Kingdom of God- to love Him with all our hearts. If we are doing that, then we will see that no amount of money, no amount of fame, no level of artistic achievement can ever rival the joy and perfection that is for us in the infinitely satisfying Jesus Christ. (Matt. 6:33, 22:37, John 15:11)
Saturday, May 10, 2014
Music Update
It's been a while since I've posted about my musical happenings. Well, except for the post right before this.
Over the past month-and-a-half or so, I've had the pleasure of collaborating with friend and fellow composer Bradley Jamrozik on the score to the upcoming Border Watch Films documentary Refracted Glory.
Today we released the first official tastes of the soundtrack- including the first piece I've ever written with live violin.
The LORD blessed me with the opportunity to work with a dear friend, Matthew Duran, on this track; he is a very gifted violinist, and I'm thrilled with the end result of our collaboration.
Also check out Bradley's excellent track, and stay tuned for more updates from the Refracted Glory team!
Over the past month-and-a-half or so, I've had the pleasure of collaborating with friend and fellow composer Bradley Jamrozik on the score to the upcoming Border Watch Films documentary Refracted Glory.
Today we released the first official tastes of the soundtrack- including the first piece I've ever written with live violin.
The LORD blessed me with the opportunity to work with a dear friend, Matthew Duran, on this track; he is a very gifted violinist, and I'm thrilled with the end result of our collaboration.
Also check out Bradley's excellent track, and stay tuned for more updates from the Refracted Glory team!
Thursday, August 8, 2013
BOUND
Do you like LEGOs? Do you like LEGOs that move and talk?
I had a blast scoring the Kickstarter promo for this film which shows just that. I got to talk to the Tull siblings at the last SAICFF and let me tell you, the vision that they have for this film is a little bit mind-blowing. Check out the trailer below, and please prayerfully consider supporting the film financially.
http://www.kickstarter.com/projects/1350609618/bound-fun-animated-brickfilm
I had a blast scoring the Kickstarter promo for this film which shows just that. I got to talk to the Tull siblings at the last SAICFF and let me tell you, the vision that they have for this film is a little bit mind-blowing. Check out the trailer below, and please prayerfully consider supporting the film financially.
http://www.kickstarter.com/projects/1350609618/bound-fun-animated-brickfilm
Friday, July 27, 2012
Thursday, March 1, 2012
The Babylon Effect
As a family we're working on some different projects known in conglomerate as The Babylon Effect.
This is the intro for a web series we're working on.
So what is The Babylon Effect?
Well, you'll just have to find out, now, won't you.
Stay tuned!
Thursday, February 16, 2012
Brothers Arise!
I've had so many blog post ideas running around in my head, but none of them have come to fruition yet.
In the meantime, here's the trailer to a film I've been working on which will premiere next week at the San Antonio Independent Christian Film Festival.
Would love to see you there!
In the meantime, here's the trailer to a film I've been working on which will premiere next week at the San Antonio Independent Christian Film Festival.
Would love to see you there!
Saturday, August 13, 2011
Red Rain Trailer - Final
No piece of the week this week- praise God, I've been very busy.
However, the Red Rain trailer is now live, with all the ingredients assembled- check it out here.
Text by Aubrey Hansen- of course, she wrote the book, too. :-)
Narration by Grace Pennington- very nice emotional rendering of the text, Miss Pennington! Oh, and she also provided the sound effect.
Text by Nechet Hudelson- awesome 3D pull-away at the end there, sister.
Music, sound editing, and final mix by yours truly- Gabriel Hudelson
However, the Red Rain trailer is now live, with all the ingredients assembled- check it out here.
Text by Aubrey Hansen- of course, she wrote the book, too. :-)
Narration by Grace Pennington- very nice emotional rendering of the text, Miss Pennington! Oh, and she also provided the sound effect.
Text by Nechet Hudelson- awesome 3D pull-away at the end there, sister.
Music, sound editing, and final mix by yours truly- Gabriel Hudelson
Friday, August 5, 2011
MUSIC: Red Rain Trailer
My piece for this week is the score to a book trailer that we're now putting the finishing touches on. The plan is to add narration and SFX, but for my YouTube channel I uploaded one which is just the music and the trailer itself.Here's the trailer
Didn't my sister do a great job on the kinetic typography?
Oh, and brownie points to whoever can name the kind of scale that I used at the beginning.
Now, before we agreed to do this trailer, I read a rough draft of this e-book-to-be, and it was a pleasure and a breath of fresh air to read. Very worldview conscious, and full of glorious modeling of Biblical family life. It was also a good story. I love it when good art and good worldview are combined.
There were some rough spots, but it was a rough draft. I look forward to reading the finished version if ever I get my grubby mitts on it. Nevertheless, the meat of the story was a delight to behold- and it was quite the enjoyable journey, even in rough-draft form. I would definitely recommend that you get yourself a copy when it comes out, and if the trailer leaves you wanting to learn more, check out the author's website:
aubreyhansen.com
Wednesday, June 8, 2011
Is it a Horse? - on the Necessity of Cutting
Better a good 2 minutes than a boring 5...

But it's such a beautiful piano solo. That theme is worth repeating, isn't it? The director loves this shot! The crew took all day to get it- I have to cut this shot in. My mythical world is so neat that I'm sure everyone will want to read a lot of description of it, right?
And so on.
Whether you're a composer, an editor, a writer, or any other kind of creative artist, it's important to know when to cut- when it's too much.
When you're no longer putting something in because it needs to be in there, but rather because you want it to be in there.
Or maybe just because you can.
DaVinci (I think it was?), when asked how he could carve such great statues, responded thus, and I paraphrase shamelessly: "I simply cut away everything that's not a horse."
So I ask you to ask yourself- is it a horse?
Does it really need to be in there?
Composer- does that gorgeous but repetitive solo fit the arc of your piece, or does it slow it down? (Confession!)
Author- did the reader really have to know all that?
Editor- yeah, it's a gorgeous shot, but please, on with the story!
As I hack away at my piece of the week, Phrygia, I am reminded yet again how important it is to differentiate between the essentials and the accidentals, the wheat and the chaff, the story and the frills.
Trim the fat. Make it meaty.
Cut, cut, cut.
You may just be surprised how much better it is for your efforts.
"The heart of the righteous ponders how to answer, but the mouth of the wicked pours out evil things." - Pr. 15:28

But it's such a beautiful piano solo. That theme is worth repeating, isn't it? The director loves this shot! The crew took all day to get it- I have to cut this shot in. My mythical world is so neat that I'm sure everyone will want to read a lot of description of it, right?
And so on.
Whether you're a composer, an editor, a writer, or any other kind of creative artist, it's important to know when to cut- when it's too much.
When you're no longer putting something in because it needs to be in there, but rather because you want it to be in there.
Or maybe just because you can.
DaVinci (I think it was?), when asked how he could carve such great statues, responded thus, and I paraphrase shamelessly: "I simply cut away everything that's not a horse."
So I ask you to ask yourself- is it a horse?
Does it really need to be in there?
Composer- does that gorgeous but repetitive solo fit the arc of your piece, or does it slow it down? (Confession!)
Author- did the reader really have to know all that?
Editor- yeah, it's a gorgeous shot, but please, on with the story!
As I hack away at my piece of the week, Phrygia, I am reminded yet again how important it is to differentiate between the essentials and the accidentals, the wheat and the chaff, the story and the frills.
Trim the fat. Make it meaty.
Cut, cut, cut.
You may just be surprised how much better it is for your efforts.
"The heart of the righteous ponders how to answer, but the mouth of the wicked pours out evil things." - Pr. 15:28
Tuesday, May 31, 2011
MUSIC - Friday at Noon Soundtrack Available for Purchase!

Praise The LORD, my first CD release is available for purchase at a two-week kick-off price of $8.00! Buy your own copy at fridayatnoon.com/shop!
This album contains just over an hour of music, including extras not heard in the film, and it ranges from soft piano lullabyes to the weeping of a solo violin to the intensity of orchestral action music. Here's the main theme - Track 1 from the album, entitled "Someone Will Pay."
Sunday, May 29, 2011
Resounding Music Commercial
Here it is, a commercial for my work as a composer, which we did over the weekend for a Christian Filmmakers competition (and then re-uploaded later in a better version). Thanks to my sister for filming- and filming well!
I'm trying to do a piece of music weekly- this will count as my piece for last week. :-)
Resounding Music - Your Movie, My Music, Our Story
I'm trying to do a piece of music weekly- this will count as my piece for last week. :-)
Resounding Music - Your Movie, My Music, Our Story
Thursday, May 19, 2011
MUSIC - Goodnight, Sylvia/The Kidnapping
This is track 6 from the score to Friday at Noon.Interestingly, the kidnapping part is still lonely, semi-improvised piano music. I don't know why I did it this way then, but in retrospect (I think it was Dad who pointed this out) I like how it focuses on the sorrow of the loss and the depth of the dilemma instead of the "make-you-jump" fear of a kidnapper in the house.
Click here to listen on YouTube.
BTW - the CD is now in the duplication/printing stage!
Friday, May 13, 2011
Friday at Noon - Original Motion Picture Score
We're working on the CD release of the musical score to Timepiece Family Media's Friday at Noon- composed, of course, by yours truly. LORD willing, it will be available for purchase soon- stay tuned! In the meantime, here's track 18 to wet your whistle.
http://www.youtube.com/watch?v=-qGFrEzbZ8o
http://www.youtube.com/watch?v=-qGFrEzbZ8o
Tuesday, March 15, 2011
VIDEO and MUSIC - Blood Duel
Jeffrey Griffith is an excellent young Christian stuntman whom I have been privileged to work with multiple times in the past. One of our recent projects was this video (which does contain some violence):
Blood Duel
I really appreciate how Jeffrey connoted, with minimal physical affection, that the film isn't about some flippant romance, but rather about the relationship between a husband and wife, as well as the true depth of character displayed by victory that goes deeper than that of fists.
I also went back over this score recently and made a few changes. Those interested may hear it below:
Dying Breath
You may say "what about all this blood and death in these titles? What worldview is this connoting?"
To which I reply- for a Christian, there are some things which I value so highly that I would for them sacrifice my life and my fortune, because of my sacred honor. Blood and death and gore- no, I don't love them. But I love the nobility, the courage, the fire-heartedness of a man who can press through the blood and death and gore and, if necessary, give his dying breaths to the cause of The Kingdom.
Maybe it's philosophical warfare. Maybe, as in the cases of William Wallace and George Washington, it's physical. Let us be ready, and wholly committed to serve Christ with all that we are!
"I love the man that can smile in trouble, that can gather strength from distress, and grow brave by reflection. 'Tis the business of little minds to shrink; but he whose heart is firm, and whose conscience approves his conduct, will pursue his principles unto death." --Thomas Paine
"And what more shall I say? For time will fail me if I tell of Gideon, Barak, Samson, Jephthah, of David and Samuel and the prophets, who by faith conquered kingdoms, performed acts of righteousness, obtained promises, shut the mouths of lions, quenched the power of fire, escaped the edge of the sword, from weakness were made strong, became mighty in war, put foreign armies to flight."
The Son of God goes forth to war...
Blood Duel
I really appreciate how Jeffrey connoted, with minimal physical affection, that the film isn't about some flippant romance, but rather about the relationship between a husband and wife, as well as the true depth of character displayed by victory that goes deeper than that of fists.
I also went back over this score recently and made a few changes. Those interested may hear it below:
Dying Breath
You may say "what about all this blood and death in these titles? What worldview is this connoting?"
To which I reply- for a Christian, there are some things which I value so highly that I would for them sacrifice my life and my fortune, because of my sacred honor. Blood and death and gore- no, I don't love them. But I love the nobility, the courage, the fire-heartedness of a man who can press through the blood and death and gore and, if necessary, give his dying breaths to the cause of The Kingdom.
Maybe it's philosophical warfare. Maybe, as in the cases of William Wallace and George Washington, it's physical. Let us be ready, and wholly committed to serve Christ with all that we are!
"I love the man that can smile in trouble, that can gather strength from distress, and grow brave by reflection. 'Tis the business of little minds to shrink; but he whose heart is firm, and whose conscience approves his conduct, will pursue his principles unto death." --Thomas Paine
"And what more shall I say? For time will fail me if I tell of Gideon, Barak, Samson, Jephthah, of David and Samuel and the prophets, who by faith conquered kingdoms, performed acts of righteousness, obtained promises, shut the mouths of lions, quenched the power of fire, escaped the edge of the sword, from weakness were made strong, became mighty in war, put foreign armies to flight."
The Son of God goes forth to war...
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